Alle (gegliedert nach Anfangsbuchstaben - teils mit Präfix ~))


ma-000280-v3n4

Magazine

Veröffentlichung[en]: 1960s
Sprache: englisch



title
High Time
series/number
A Parliament Magazine - Vol. 3, No. 4
publisher
American Art Agency, North Hollywood CA.
year (pages)
1964 (80)
isbn
-
source
INT
country
USA / Germany
original
-
cover artist
{unknown / unbekannt}
note
-
comments
-




On the front cover: "A Parliament Magazine," "$1.25," "PN," "Venus in Black Leather," "Nude Twist on the Track," "Bare Beauties and Mad, Mad, Mad Scientists," "Adults Only."
On the back cover: "For the Virile and Imaginative Man of Action and Strength—Hightime."
Editor: Richard Crashaw. Photo editor: H. Trent. Art director: Mark Tills.
Contents:
  • "Nude Twist on the Track" (nude pictorial of Peggy Hughes)
  • Con Sellers, "The Last of Passion's Fire" (erotic fiction) ("It has stood stark and horrible for years—a sad and fearful reminder of the macabre rituals that had been practiced within its secret walls and dank passageways")
  • "The Case of the Well-Filled Leotard" (nude pictorial of Lila Wilson)
  • Joseph Hilton, "The Strange Lusts of Madam Ferey" ("In her warped brain there was a strange bond between love and violent death")
  • "Venus in Black Leather" (nude pictorial of Nancy Donards, with color centerfold)
  • Burt Fields, "The Most Unforgettable Rat-Fink"
  • "Dora's Daily Dozen for Discipline" (nude pictorial of Dora Means)
  • "Farmer's Daughter and 3 Blind Mice" (nude pictorial of Cathy Reeves)
  • "Bare Beauties and Mad Mad Mad Scientists" (with nude photos)
  • "Every chef knows that in order to concoct a perfect recipe it is essential that he start with perfect ingredients. But what may not be so generally understood is the fact that the same rule applies to photography—perfect ingredients are everything. A case in point is amply illustrated on these few pages. The ingredients, of course, are a beautiful girl—in this case, Miss Peggy Hughes—an interesting setting—in this case the expansive atmosphere of outdoors—but then, there has been something else added by way of props to make the entire set live as it were. What the photographer has done is to combined the rugged, untouched quality of nature with the hurried, on-the-go feeling inspired by the presence of" etc.


This bibliographical summary may not be complete.
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